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Inquiry, Image, and Emotion in the History Classroom

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With increased online access to historical sources, will students "read history" differently among such artifacts as text, image, or video? Questioning his own assumptions of students' abilities to analyze historical sources, Peter Felten conducted pedagogical investigations to understand student interpretation of a variety of sources. Designing the use of visual artifacts in the classroom helped students learn not only how to interrogate and interpret primary sources, but also how to construct original arguments about history. Students' understanding of history deepened while they became emotionally engaged with the material.

"Who Owns This Image?" Public Presentation and Debate: NYC Tues April 29, 6:30pm

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Who Owns This Image?

Art, Access, and the Public Domain after Bridgeman v. Corel

Public Panel Discussion Cosponsored by: Art Law Committee, New York City Bar Association, College Art Association, ARTstor Creative Commons

Panelists: Dr. Theodore Feder, President, Art Resource, Artists Rights Society Christopher Lyon, Executive Editor, Prestel Publishing William Patry, Senior Copyright Counsel, Google Hon. Richard A. Posner, United States Court of Appeals, 7th Circuit Maureen Whalen, Associate General Counsel, J. Paul Getty Trust Moderator: Virginia Rutledge, Chair, Art Law Committee, New York City Bar

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