Cyberinfrastructure as Cognitive Scaffolding: The Role of Genre Creation in Knowledge Making

by Janet Murray, Georgia Tech

Originally Posted December 16th, 2007 

Professor Janet H. Murray is an internationally recognized interactive designer, the director of Georgia Tech’s Masters Degree Program in Information Design and Technology and Ph.D. in Digital Media, and a member of Georgia Tech’s interdisciplinary GVU Center. She is the author of Hamlet on the Holodeck: The Future of Narrative in Cyberspace (Free Press, 1997; MIT Press 1998), which has been translated into 5 languages, and is widely used as a roadmap to the coming broadband art, information, and entertainment environments. She is currently working on a textbook for MIT Press, Inventing the Medium: A Principled Approach to Interactive Design and on a digital edition of the Warner Brothers classic, Casablanca, funded by NEH and in collaboration with the American Film Institute. In addition, she directs an eTV Prototyping Group, which has worked on interactive television applications for PBS, ABC, and other networks. She is also a member Georgia Tech’s Experimental Game Lab. Murray has played an active role in the development of two new degree programs at Georgia Tech, both 0f which were launched in Fall 2004: the Ph.D. in Digital Media, and the B.S. in Computational Media. In spring 2000 Janet Murray was named a Trustee of the American Film Institute, where she has alsoserved as a mentor in the Enhanced TV Workshop a program of the AFI Digital Content Lab. She holds a Ph.D. in English from Harvard University, and before coming to Georgia Tech in 1999 taught humanities and led advanced interactive design projects at MIT. Murray’s primary fields of interest are digital media curricula, interactive narrative, story/games, interactive television, and large-scale multimedia information spaces. Her projects have been funded by IBM, Apple Computer, the Annenberg-CPB Project, the Andrew W. Mellon Foundation, and the National Endowment for the Humanities.

Information infrastructure is a network of cultural artifacts and practices.[1] A database is not merely a technical construct; it represents a set of values and it also shapes what we see and how we see it. Every time we name something and itemize its attributes, we make some things visible and others invisible. We sometimes think of infrastructure, like computer networks, as outside of culture. But pathways, whether made of stone, optical fiber or radio waves, are built because of cultural connections. How they are built reflects the traditions and values as well as the technical skills of their creators. Infrastructure in turn shapes culture. Making some information hard to obtain creates a need for an expert class. Counting or not counting something changes the way it can be used. Increasingly it is the digital infrastructure that shapes our access to information and we are just beginning to understand how the pathways and containers and practices we build in cyberspace shape knowledge itself.

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The Future of Art History: Roundtable

by Jennifer Curran,

Originally Posted December 16th, 2007

Introduction: David Green

Principal, Knowledge Culture
Three art historians were invited to think about how their discipline, and their teaching and research within that discipline, might evolve with access to a rich cyberinfrastructure.

Participants were encouraged to think through what might happen to their practice of art history if:
–they had easy access to high-quality, copyright-cleared material in all media;
–they could share research and teaching with whomever they wanted;
–they had unrestricted access to instructional technologists who could assist with technical problems, inspire with teaching ideas and suggest resources they might not otherwise have known about.

What would they do with this freedom and largesse? What kinds of new levels of research would  be possible (either solo or in collaborative teams); what new kinds of questions might they be able to answer; how would they most want to distribute the results of their scholarship; who would the audience be; and would there be a new dynamic relationship with students in and out of the classroom?

Panelist 1: Guy Hedreen, Professor of Art History, Williams College
On The Next Generation of Digital Images Available to Art Historians

Panelist 2: Dana Leibsohn, Associate Professor of Art, Smith College
On the Technologies of Art History

Panelist 3: Amelia Carr, Associate Professor of Art History, Allegheny College
Overcoming the Practice of Visual Scarcity

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Review of “Connecting Technology & Liberal Education: Theories and Case Studies” A NERCOMP event (4/5/06)

by Shel Sax,  Director of Education Technology at Middlebury College’s Center for Teaching Learning and Research.

Originally Published September 26th, 2006

On April 5, at the University of Massachusetts, Amherst, NERCOMP offered a SIG event on “Connecting Technology and Liberal Education: Theories and Case Studies.” Examining the description of the event on the NERCOMP web site ( made two things immediately apparent. This was a workshop looking at a very broad topic and all of the presenters came from an academic background rather than a technological one.

The flow of the day went from the most general, with Jo Ellen Parker beginning the proceedings with a discussion of the various theories of liberal education and their impact and influence on institutional technology decisions, to specific case studies offered by faculty from Emerson, Hamilton, Mt. Holyoke and Hampshire Colleges.

Session 1: What’s So “Liberal” About Higher Ed?

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Data-Driven Liberal Arts: the Library Role

 by Mark Dahl,

Dahl_BioMark Dahl, director of the Aubrey R. Watzek Library at Lewis & Clark College and a NITLE Fellow, outlines guidelines to help college libraries move from building digital collections to developing digital initiatives centered around faculty and student scholarship. Mr. Dahl has presented and written extensively on library technology and digital initiatives. His professional interests include digital initiatives, student engagement with library resources, and the future of the liberal arts college library.


The April 2013 Association of College and Research Libraries biennial conference in Indianapolis featured no less than fourteen sessions about academic library data services. Topics ranged from data and statistical sources for reference and instruction, to data literacy for scientists, to the development of data curation services.

Clearly, data services are a hot area in academic libraries. But how is this trend playing out in libraries at teaching-focused institutions, specifically liberal arts colleges? As I will illustrate below, there are rich opportunities to expand library reference and instruction services to support quantitative reasoning initiatives and data-intensive undergraduate research. Data curation and management services, a major interest at research libraries, are also an emerging opportunity at liberal arts institutions as are the collection and management of field research data.

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