Technology

Ideas Please for the Obama CTO

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Vote, vote, vote - for ideas, now that we have a President Elect...and a soon-to-be-announced CTO for the nation.

NERCOMP Workshop: Teaching Well Using Technology

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Registration is now open for NERCOMP's upcoming workshop: "Teaching Well Using Technology: A Faculty Member’s Guide to Wise and Time-Efficient Use of Instructional Technology"

Cyberinfrastructure: Leveraging Change at our Institutions. An interview with James J. O'Donnell

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Provost O'Donnell, author of Avatars of the Word, is fascinated by how "institutions full of creative, innovative, iconoclastic people" are paradoxically "bastions of conservatism." Guiding us through the texture of change since the Internet hit 15 years ago, O"Donnell posits that incremental change is perhaps the best we can do until the fundamental instruments of scholarly communication and the academic reward structure change: "until the problem we have to solve is defined persuasively enough that we get enough people interested in solving it."

2007 Singularity Summit Now Available Online

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"To any thoughtful person, the Singularity idea, even if it seems wild, raises a gigantic, swirling cloud of profound and vital questions about humanity and the powerful technologies it is producing," ~Douglas Hofstadter, Singularity Summit at Stanford 2006

 Get your fill of AI via the 2007 Singularity Summit online [recorded at the summit in September].

The Cult of the Amateur

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Keen, Andrew. The Cult of the Amateur: How Today's Internet is Killing Our Culture. New York: Doubleday/Currency, 2007. 228 pp. Hardcover $22.95. ISBN 978-0-385-52080-5

Andrew Keen insists he is neither anti-technology nor anti-progress. Yet this veteran of the dot com era begins his recent book, The Cult of the Amateur (Doubleday/Currency, 2007), sounding much like a high-culture snob pooh-poohing the vulgar masses for having appropriated the Web as their own and, in the process, wreaking potential destruction on our economy, culture and values. Keen's polemic hints less at neo-Luddite dissent than at an underlying bitterness and resentment--at his own gullibility at having been so easily sucked into the Internet dream, and also at those who have taken the technology out of the hands of professionals like himself ("I almost became rich" [p. 11], he confesses in the beginning of the first chapter). Drawing on 19th-century evolutionary biologist T. H. Huxley's "infinite monkey theory," Keen fears what lies ahead when the masses are empowered with far-reaching technology. As the author describes it, Huxley's theorem asserts that if infinite monkeys are provided with infinite typewriters, one of these monkeys will eventually create a masterpiece. Keen updates and reverses the theorem, replacing monkeys with humans and typewriters with networked personal computers; and "instead of creating masterpieces, these millions and millions of exuberant monkeys--many with no more talent than our primate cousins--are creating an endless digital forest of mediocrity" (pp. 2-3). By the end of the introduction, a reader would have just cause to feel a bit insulted.

But if you haven't tossed the book out the window just yet as one extended tantrum--and are willing to patiently look past the author's continued candor on the infinite monkey metaphor--you begin to encounter a number of points that are likely to give you pause, possibly in alarm.

Not Rocket Science: An erstwhile technologist reflects on the discourse of "technology," 1997-2007

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If there is a problem with technology, it is not ultimately one of computing resources, hardware or software. The problem is the discourse, and the way it inflects and even distorts the way we think about pedagogy.

George Siemens at the ODCE 2007 Conference

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"When you look at knowledge as the central aspect, or the central product of education today, it would suggest that if knowledge itself changes significantly or substantially, that we also would need to consider the framework and the design of the organizations that we use to create, disseminate, share, evaluate that knowledge." 

George Siemens, author of Knowing Knowledge, Associate Director of Research and Development with the Learning Technologies Centre at the University of Manitoba, and founder and President of Complexive Systems Inc., was the keynote speaker at the Ohio Digital Commons for Education Conference in Columbus, Ohio (March 4-6).

In this address, Siemens shared some of his thoughts on knowledge and technology and their implications for educational organizations.

Review of "Connecting Technology & Liberal Education: Theories and Case Studies" A NERCOMP event (4/5/06)

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Shel offers this take on a workshop looking at a very broad topic which offered a slight twist as far as NERCOMP workshops go: all of the presenters came from an academic background rather than a technological one. Says Shel, “My interest in the interaction of technology and pedagogy was well met by presentations combining strategic thinking about what constitutes and shapes a liberal arts education and examples of technology being used in the classroom in a traditionally ‘liberal’ manner.”

Taking Culture Seriously: Educating and Inspiring the Technological Imagination

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"Ignorance costs. Cultural ignorance -- of language, of history, and of geo-political contexts -- costs real money." So Anne Balsamo begins her wide-ranging inquiry into the "technological imagination"--"a character of mind and creative practice of those who use, analyze, design and develop technologies." Excerpted from Chapter 1 of her forthcoming Duke UP book, The Technological Imagination Revisited; Designing Culture: A Work of the Technological Imagination, Balsamo's essay pleads for interdisciplinary collaboration informed by "new skills, new analytical frameworks, new methods, and new practices" built on a liberal-arts framework of "personal commitment to life-long learning."

Connectivity: The Tenth Biennial Symposium on Arts and Technology

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The Ammerman Center for Arts and Technology at Connecticut College is pleased to announce "Connectivity: The Tenth Biennial Symposium on Arts and Technology", March 30 - April 1, 2006. The mission of the symposium is to present new works, research and performances in the areas of technology and the arts. The symposium will consist of commissioned works, paper sessions, panel discussions, art exhibitions, interactive environments, music concerts, screenings and multi-media performances. In an effort to demystify the artistic process and create a forum for dialogue, we are encouraging all presenters and artists to speak about their work at the symposium.

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