Lifelong learning
Cyberinfrastructure as Cognitive Scaffolding: The Role of Genre Creation in Knowledge Making
Cyberinfrastructure: Leveraging Change at our Institutions. An interview with James J. O'Donnell
The Institute of Museum and Library Services
In the Knowledge Society of the 21st Century, digital content will be created, managed, preserved and disseminated within an infrastructure that is seamless and virtually invisible to users. The future digital environment will include digital representations of accumulated historical knowledge as well as vast amounts of new content. Future generations of users will build on this existing information and preserved digital content to create new knowledge and forms of expression. Libraries, museums, and archives are vital components of the emerging cyberinfrastructure.
Cultural heritage institutions are developing digital repositories to manage and preserve collections converted from analog formats as well as those that are digital-only. They are also leading efforts to develop tools, standards, and best practices to improve the management, discovery, presentation, and use of digital content. IMLS provides grant opportunities to libraries, museums, archives, and institutions of higher education for research, demonstrationl, and implementation projects to enhance library and museum services and for programs to educate the next generations of library and museum professionals. IMLS grant programs that support cyberinfrastructure include:
National Leadership Grants
- Research and Demonstration Projects
- Building Digital Resources
- Library and Museum Collaborations
- Collaborative Planning Grants
Laura Bush 21st Century Librarian Program
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Council on Library and Information Services (CLIR)
The Council on Library and Information Resources (CLIR), an independent nonprofit organization headquartered in Washington, D.C., supports higher education and advanced research primarily through programs in academic libraries and allied institutions. CLIR convenes meetings to articulate concerns shared across multiple communities; commissions and publishes reports on topics of interest to the library and information research communities; provides support for graduate students and recent graduates of doctoral programs in the humanities; and runs the annual Frye Institute in cooperation with Emory University to train future leaders of college and university libraries.
CLIR's agenda for the next five years reflects past and ongoing transformations resulting from advances in information and communication technologies. It has six interdependent components: cyberinfrastructure, preservation, scholarly methodologies, future library, leadership and new models of research. Cyberinfrastructure establishes a foundation that enables modes of technology-mediated research and models of scholarship. Computationally-intensive research methods and associated models of scholarship occasion needs for new leadership as well as new institutional roles for libraries, archives, museums and other cultural heritage institutions. These organizations will be key to managing the enormous quantities of data, which has resulted from technology-intensive investigations together with related forms of scholarly expression. CLIR's long-standing commitment to curation and preservation of analog and digital data positions the organization to take a leadership role in ongoing national discussions. CLIR is deeply committed to identifying strategic approaches and partnerships that leverage social, intellectual and organizational resources across institutional and disciplinary boundaries on behalf of the public good.
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HASTAC
HASTAC is a virtual university. It is a voluntary international network that spans disciplines, institutions, the boundary of higher education and K-12, libraries, museums and other civic and community institutions. It includes top research universities, underfunded community colleges, HBCU's and other minority-serving institutions, as well as supercomputing centers, grid computing centers and major scientific research labs in the U.S. and abroad. HASTAC is pronounced "haystack" and is an acronym for Humanities, Arts, Science and Technology Advanced Collaboratory. Since 2003, HASTAC has been developing tools for multimedia archiving and social interaction, gaming environments for teaching, innovative educational programs in information science and information studies, virtual museums and other digital projects. HASTAC leaders have served as consultants to U.S. and international organizations and governments on grid computing and cyberinfrastructure.
In 2006-07, over eighty HASTAC centers worked together to produce courses, seminars, workshops and public events on the theme of "In|Formation." Topics in that theme were: InCommon, Interplay, InCommunity, Interaction, Injustice, Integration, Interface and Innovation. The project for 2007-08 is a series of ad hoc podcast Town Halls on any topic of social and political importance to new technologies. All podcasts will be advertised and archived on the HASTAC website. In addition, in 2007-08, HASTAC will host the Digital Media and Learning Competition, a $2 million competition sponsored by the John D. and Catherine T. MacArthur Foundation as part of its initiative on Digital Media and Learning. To become part of HASTAC, simply register to the http://www.hastac.org/ website and contribute.
Cathy Davidson and David Theo Goldberg are cofounders of HASTAC.
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Open Source Software Tools: Mellon Awards for Technology Collaboration
Tim Berners-Lee presented the second annual Mellon Awards for Technology Collaboration (MATC) yesterday at the Fall Task Force meeting of the Coalition for Networked Information (CNI). $650,000 in prize money went to 10 nonprofits for "leadership in the collaborative development of open source software tools with application to scholarship in the arts and humanities."
While more information is available on the CNI site, the winners are as follows:
- American Museum of the Moving Image (Astoria, NY: www.movingimage.us) for the development and release of the OpenCollection museum collection management system (www.opencollection.org) [$100,000].
- Duke University (Durham, NC: www.duke.edu) for leadership and development work on the OpenCroquet open source 3-D virtual worlds environment (www.opencroquet.org)[$100,000].
- Open Polytechnic of New Zealand (Wellington, NZ: www.openpolytechnic.ac.nz) for leadership and development work on several open source projects including the New Zealand Open Source Virtual Learning Environment (http://eduforge.org/projects/nzvle/) [$100,000].
- Georgia Public Library Service of the University System of Georgia (Atlanta, GA: www.georgialibraries.org) for the development and release of the Evergreen open-source library automation system (www.open-ils.org) [$50,000].
- Middlebury College (Middlebury, VT: www.middlebury.edu) for the development and release of the Segue interactive learning management system [$50,000].
- Participatory Culture Foundation (Worcester, MA: www.participatoryculture.org) for the development and release of the open source Miro media player (www.getmiro.com) [$50,000].
- Talboks-och Punkstkriftsbiblioteket (The Swedish Library of Talking Books and Braille: Enskede, Sweden: www.tpb.se) for the development and release of open source tools supporting the Daisy Project for talking books for the visually impaired [$50,000].
- University of Illinois (Champaign-Urbana, IL: www.illinois.edu): one award for the development and release of the Firefox Accessibility Extension (https://addons.mozilla.org/en-US/firefox/addon/1891) [$50,000]; and one award for the development and release of the OpenEAI enterprise application integration project (www.openEAI.org) [$50,000].
- University of Toronto (Toronto, Ontario: www.utoronto.ca) for the development and release of the ATutor learning management system (www.atutor.ca) [$50,000].
Involving Students in Digital Storytelling: A NERCOMP SIG Event
The notion that education liberates runs deep in the digital storytelling movement. Small wonder then that liberal arts educators take such an interest in the project. Anyone planning to use digital storytelling, however, faces a number of non-trivial challenges, some logistical, some pedagogical, some bureaucratic:
- How does one run/structure a workshop?
- Who are good candidates for participation?
- What tools should participants use?
- How, if at all, will the stories be published?
- What about copyrighted content?
- How might digital storytelling be incorporated into a syllabus?
- Can digital stories be 'scholarly'?
CFP: CHArt (Computers and the History of Art) Conference: Digital Archive Fever, November 2007
We pass along this call for papers which has appeared on a number of listservs...
CHArt (Computers and the History of Art)
23rd Annual Conference
DIGITAL ARCHIVE FEVER
Thursday 8 - Friday 9 November 2007
London England - Venue to be confirmed
Museums, galleries, archives, libraries and media organisations such as publishers and film and broadcast companies, have traditionally mediated and controlled access to cultural resources and knowledge. What is the future of such "top-down" institutions in the age of "bottom-up" access to knowledge and cultural artifacts through what is generally known as Web 2.0 (encompassing YouTube, Bittorrent, Napster, Wikipedia, Google, MySpace and more)? Will such institutions respond to this threat to their cultural hegemony by resistance or adaptation? How can a museum or a gallery or, for that matter, a broadcasting company, appeal to an audience which has unprecedented access to cultural resources? How can institutions predicated on a cultural economy of scarcity compete in an emerging state of cultural abundance?
Tessa Jowell: A live Debate About a Blogging Code of Conduct
LINK: http://politicstalk.guardian.co.uk/WebX?14@424.c9CMbu8k7E9.5@.775e9244/48
Tessa Jowell, the UK secretary of state for culture, media and sport, has weighed in
on the blogging code of conduct debate from a few weeks back, stating
that she welcomes and supports the initiative. From her article "Civility in 'Ourspace' " on The Guardian's website: "The wonderful, anarchic, creative world of the blogosphere shouldn't
be a licence for abuse, bullying and threats as it has been in some
disturbing cases...There is a need for serious discussion about maintaining civilised
parameters for debate, so that more people - and women and older people
in particular - feel comfortable to participate."
International HASTAC Conference
Editor's note: URL has been updated to show proceedings from the conference. 9/3/07
International HASTAC Conference
"Electronic Techtonics: Thinking at the Interfaceâ€
April 19-21, 2007
HASTAC ( "haystackâ€â€”Humanities, Arts, Science and Technology Advanced Collaboratory) is now soliciting papers and panel proposals for "Electronic Techtonics: Thinking at the Interface,†its first international conference. The interdisciplinary conference will be held April 19-21, 2007, in Durham, North Carolina, co-sponsored by Duke University and RENCI (Renaissance Computing Institute). Details concerning registration fees, hotel accommodations, and the full conference agenda will be posted to http://www.hastac.org as they become available.
Highlights include a keynote address by John Seely Brown (The Social Life of Information), a talk by legal theorist James Boyle (co-founder of the Center for the Study of the Public Domain, Creative Commons, and Science Commons), a conversation among leaders of innovative digital humanities projects led by John Unsworth (chair of the ACLS "Cyberinfrastructure and the Humanities and Social Sciences†commission), and a presentation by media artist and research pioneer Rebecca Allen. The conference will also include refereed scholarly and scientific papers, multimedia performances, an exhibit hall of innovative software and hardware, plus tours of art and scientific installations in virtual reality, learning-game, and interactive sensor space environments.
CALL FOR PAPERS
Six sessions will be devoted to panels with refereed papers on spects of "interface†spanning media arts, engineering, and the human, social, natural, and computational sciences. Panels will be topical and cross-disciplinary; they will be comprised of papers that are themselves interdisciplinary as well as specialized disciplinary papers presented in juxtaposition with one another.
Deadline for Proposals: December 1, 2006.
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