The Institute of Museum and Library Services (IMLS) is the primary source of federal support for the nation's 122,000 libraries and 17,500 museums. The Institute works at the national level and in coordination with state and local institutions and organizations to sustain heritage, culture, and knowledge; to enhance learning and innovation; and to support professional development.  

In the Knowledge Society of the 21st Century, digital content will be created, managed, preserved and disseminated within an infrastructure that is seamless and virtually invisible to users. The future digital environment will include digital representations of accumulated historical knowledge as well as vast amounts of new content. Future generations of users will build on this existing information and preserved digital content to create new knowledge and forms of expression. Libraries, museums, and archives are vital components of the emerging cyberinfrastructure.  

Cultural heritage institutions are developing digital repositories to manage and preserve collections converted from analog formats as well as those that are digital-only. They are also leading efforts to develop tools, standards, and best practices to improve the management, discovery, presentation, and use of digital content. IMLS provides grant opportunities to libraries, museums, archives, and institutions of higher education for research, demonstrationl, and implementation projects to enhance library and museum services and for programs to educate the next generations of library and museum professionals. IMLS grant programs that support cyberinfrastructure include:

National Leadership Grants

• Research and Demonstration Projects
• Building Digital Resources
• Library and Museum Collaborations
• Collaborative Planning Grants

Laura Bush 21st Century Librarian Program

The Alliance of Digital Humanities Organizations (ADHO) is an umbrella organization formed in 2005 initially to coordinate the activities of the Association for Computers in the Humanities (founded in 1978) and the Association for Literary and Linguistic Computing (founded in 1973). In 2007, the Canada-based Society for Digital Humanities / Société pour l'étude des médias interactifs (SDH-SEMI) joined the Alliance.

Devoted to the encouragement and exploration of the digital humanities in all its forms, ADHO's activities encompass the publication of

peer reviewed journals:

ARTstor is a non-profit organization created with several aims:  

1) To aid in the transformation of education in the arts and humanities through the innovative use of digital technology;

2) To achieve economies of scale and reduce costs for the community by providing digital images for teaching and scholarship;

3) To facilitate efficient dissemination of content from a broad range of time periods, cultures and disciplines, making accessible large portions of our cultural record scattered across libraries, museums, archives, galleries and private collections around the world; and

4) To work with the community to find answers to commonly shared problems, including the development of standards and best practices for the creation of useful visual materials.  

As of July 2007, 750 colleges, universities, schools and museums have access to ARTstor's evolving library of close to 600,000 images and its accompanying software tools.

ARTstor seeks to play a role in the international network connecting educational institutions with content contributors, ranging from artists (such as the Roy Lichtenstein Estate) and photographers to museums (such as the Getty) and libraries (such as the Harvard College Libraries). In doing so, we work with the community to develop policies around sharing image collections, as well as to develop and enhance harvesting software and schema that promote interoperability (such as the Open Archives Initiative and CDWA-Lite), leading to the aggregation for users of images from disparate sources. We believe the coming years will bring continued expansion of an ever more decentralized environment. ARTstor's role in such an environment will not be that of the single source of image content, but rather that of a value-adding node in this increasingly networked environment. Toward this aim, much of our time has been spent creating or improving upon existing inter-relationships and networks, building bridges across the community and demonstrating both the potential and the challenges of facilitating the use of digital images. 

ARTstor is a non-profit organization created with several aims:  

1) To aid in the transformation of education in the arts and humanities through the innovative use of digital technology;

2) To achieve economies of scale and reduce costs for the community by providing digital images for teaching and scholarship;

3) To facilitate efficient dissemination of content from a broad range of time periods, cultures and disciplines, making accessible large portions of our cultural record scattered across libraries, museums, archives, galleries and private collections around the world; and

4) To work with the community to find answers to commonly shared problems, including the development of standards and best practices for the creation of useful visual materials.  

As of July 2007, 750 colleges, universities, schools and museums have access to ARTstor's evolving library of close to 600,000 images and its accompanying software tools.

ARTstor seeks to play a role in the international network connecting educational institutions with content contributors, ranging from artists (such as the Roy Lichtenstein Estate) and photographers to museums (such as the Getty) and libraries (such as the Harvard College Libraries). In doing so, we work with the community to develop policies around sharing image collections, as well as to develop and enhance harvesting software and schema that promote interoperability (such as the Open Archives Initiative and CDWA-Lite), leading to the aggregation for users of images from disparate sources. We believe the coming years will bring continued expansion of an ever more decentralized environment. ARTstor's role in such an environment will not be that of the single source of image content, but rather that of a value-adding node in this increasingly networked environment. Toward this aim, much of our time has been spent creating or improving upon existing inter-relationships and networks, building bridges across the community and demonstrating both the potential and the challenges of facilitating the use of digital images. 

The Council on Library and Information Resources (CLIR), an independent nonprofit organization headquartered in Washington, D.C., supports higher education and advanced research primarily through programs in academic libraries and allied institutions. CLIR convenes meetings to articulate concerns shared across multiple communities; commissions and publishes reports on topics of interest to the library and information research communities; provides support for graduate students and recent graduates of doctoral programs in the humanities; and runs the annual Frye Institute in cooperation with Emory University to train future leaders of college and university libraries.  

CLIR's agenda for the next five years reflects past and ongoing transformations resulting from advances in information and communication technologies. It has six interdependent components: cyberinfrastructure, preservation, scholarly methodologies, future library, leadership and new models of research. Cyberinfrastructure establishes a foundation that enables modes of technology-mediated research and models of scholarship. Computationally-intensive research methods and associated models of scholarship occasion needs for new leadership as well as new institutional roles for libraries, archives, museums and other cultural heritage institutions. These organizations will be key to managing the enormous quantities of data, which has resulted from technology-intensive investigations together with related forms of scholarly expression. CLIR's long-standing commitment to curation and preservation of analog and digital data positions the organization to take a leadership role in ongoing national discussions. CLIR is deeply committed to identifying strategic approaches and partnerships that leverage social, intellectual and organizational resources across institutional and disciplinary boundaries on behalf of the public good. 

The Innovative Computing Laboratory (ICL) of the University of Tennessee, Knoxville, working in collaboration with the Cyberinfrastructure Partnership (CIP) between the San Diego Supercomputing Center (SDSC) and the National Center for Supercomputing Applications (NCSA), is leading an NSF-sponsored publication effort called Cyberinfrastructure Technology Watch (CTWatch). The goal of CTWatch is to establish an online forum for ideas and opinions on topics of importance to the cyberinfrastructure community, providing a new source of information and analysis concerning the latest innovations in cyberinfrastructure technology.

To create the kind of productive mix of news, information and dialogue that rapid progress in shared cyberinfrastructure today requires, CTWatch developed CTWatch Quarterly, an on-line serial publication modeled on a more traditional academic journal. CTWatch Quarterly is designed to be published on-line and is made available in both HTML and in a high-quality PDF format intended for printing on demand. Each issue of revolves around a particular area of interest for the cyberinfrastructure community and is organized by a guest editor who is a leader in that field.

The focus topics (and corresponding guest editors) for 2006-7 included:

HASTAC is a virtual university. It is a voluntary international network that spans disciplines, institutions, the boundary of higher education and K-12, libraries, museums and other civic and community institutions. It includes top research universities, underfunded community colleges, HBCU's and other minority-serving institutions, as well as supercomputing centers, grid computing centers and major scientific research labs in the U.S. and abroad. HASTAC is pronounced "haystack" and is an acronym for Humanities, Arts, Science and Technology Advanced Collaboratory. Since 2003, HASTAC has been developing tools for multimedia archiving and social interaction, gaming environments for teaching, innovative educational programs in information science and information studies, virtual museums and other digital projects. HASTAC leaders have served as consultants to U.S. and international organizations and governments on grid computing and cyberinfrastructure.

In 2006-07, over eighty HASTAC centers worked together to produce courses, seminars, workshops and public events on the theme of "In|Formation." Topics in that theme were: InCommon, Interplay, InCommunity, Interaction, Injustice, Integration, Interface and Innovation. The project for 2007-08 is a series of ad hoc podcast Town Halls on any topic of social and political importance to new technologies. All podcasts will be advertised and archived on the HASTAC website. In addition, in 2007-08, HASTAC will host the Digital Media and Learning Competition, a $2 million competition sponsored by the John D. and Catherine T. MacArthur Foundation as part of its initiative on Digital Media and Learning. To become part of HASTAC, simply register to the http://www.hastac.org/ website and contribute.

Cathy Davidson and David Theo Goldberg are cofounders of HASTAC.

centerNet is an international network of digital humanities centers in which individuals contribute time and energy to help each other find opportunities and collaborators, and share tools and resources. The network serves to strengthen the position of centers in their own institutions as well as to advance digital humanities generally. centerNet developed from a meeting hosted by the NEH and the University of Maryland, College Park, April 12-13, 2007 in Washington, D.C., and is a response to the ACLS report on Cyberinfrastructure for the Humanities and Social Sciences, published in 2006.

Since its inception in April, centerNet has added over a hundred members worldwide. A start-up committee elected at the NEH meeting, consisting of Julia Flanders, Neil Fraistat, Mark Kornbluh, Matt Kirschenbaum and John Unsworth, is currently adding international members to its ranks.

The centerNet website can be used to find information about jobs, grants, conferences and software. The centerNet email list can be asked for advice about everything from problems related to starting a center to problems in programming. The centerNet wiki provides a taxonomic listing of digital humanities centers through which international partners can be located--for a staff exchange or for a grant application, for example. Members of the network can post to the list or include an entry for their center on the wiki.

We invite all those who believe that their center is a digital humanities center, in whole or in part, to join the network. We intend the definition of "digital humanities" to be inclusive, with cross-over into the social sciences, media studies, digital arts and other related areas. This might include humanities centers with a strong interest in or focus on digital platforms. The definition of "center" is only slightly more prescriptive: a center should be larger than a single project, and it should have some history or promise of persistence. Those interested in finding out more about the network or in becoming a member should visit: http://digitalhumanities.org/centernet/.

NITLE is a non-profit initiative focused on advancing learning through the use of digital technology. NITLE's participating institutions represent more than 100 primarily smaller independent colleges and universities in the U.S. and world-wide.

NITLE provides professional development programs and managed information services that strengthen higher education by enabling the collaborative sharing of resources, expertise and effective practices. In addition, using collaborative technologies such as multipoint, interactive videoconferencing and open-source systems for learning and collaboration, participants in NITLE programs and services are able to engage in on-going, peer-to-peer exchange across disciplines, professions, and institutions and to build communities of practice that create and share solutions for learning that are useful and relevant to smaller, teaching-centered colleges and universities.

NITLE's programs--both face-to-face and virtual--engage faculty, instructional technologists and librarians in reflective discussion and hands-on practice focused on good teaching and the appropriate use of technology as well as effective, mission-centered strategies for adopting instructional technologies and enterprise tools on campus. NITLE's services lower institutions' risk in testing and adopting technology systems by aggregating community needs and providing managed services that meet those needs. NITLE services currently provide its participating colleges with access to multipoint, interactive videoconferencing (MIV); open-source learning management systems (Moodle and Sakai); and institutional repository services (DSpace).

In all its activities, NITLE leverages the expertise inherent in its participant community and provides a forum and resources to enable the strategic understanding and effective adoption of digital technologies.

For more information, visit www.nitle.org or subscribe to NITLE's blog, Liberal Education Today.

The Open Content Alliance (OCA), created in 2005 to bring books and other material online, currently comprises more than 80 members--universities, public libraries, and commercial companies working together and embracing the values of openness central to the tradition of the creation of the Internet. Our goal is to build a digital archive of global content for universal access.

For thousands of years, humans have been putting their knowledge in books to pass on for future generations. Today, we have to have these materials in digital form, and we have to have them in a form where we can access and use them in new and different ways, as an engine for research, learning, and discovery, even if in ways not originally intended. I think that so far, as a culture, we have been negligent in our responsibility to perform this task: not because we don't have the materials, but because we haven't put them into the formats that new generations expect.

The Open Content Alliance (OCA), created in 2005 to bring books and other material online, currently comprises more than 80 members--universities, public libraries, and commercial companies working together and embracing the values of openness central to the tradition of the creation of the Internet. Our goal is to build a digital archive of global content for universal access.

For thousands of years, humans have been putting their knowledge in books to pass on for future generations. Today, we have to have these materials in digital form, and we have to have them in a form where we can access and use them in new and different ways, as an engine for research, learning, and discovery, even if in ways not originally intended. I think that so far, as a culture, we have been negligent in our responsibility to perform this task: not because we don't have the materials, but because we haven't put them into the formats that new generations expect.

The National Endowment for the Humanities (NEH) is an independent grant-making agency of the United States government dedicated to supporting research, education, preservation and public programs in the humanities.

We have recently launched the Digital Humanities Initiative (DHI)--aimed at supporting projects that utilize or study the impact of digital technology. DHI is particularly interested in helping the development of cyberinfrastructure for the humanities as described in Our Cultural Commonwealth, the ACLS report on cyberinfrastructure.

The Software Environment for the Advancement of Scholarly Research (SEASR) is a software engineering project that is leveraging the latest informatics research to innovate essential technology for a cyberinfrastructure for the humanities. Under the direction of Michael Welge, Loretta Auvil and John Unsworth, the SEASR team is developing software that:

• enhances humanities researchers' ability to use digital humanities applications for knowledge discovery, and
• provides digital humanities developers with an improved environment for advancing and innovating applications.  

SEASR's software research and development environment will enable existing applications (e.g., Wordhoard; Nora; MONK: Metadata Offer New Knowledge; IMIRSEL: International Music Information Retrieval Systems Evaluation Laboratory) to more actively, precisely and comprehensively analyze information extracted from large collections in a variety of formats (i.e., digital libraries, databases, archives, mixed media, and even custom data). SEASR offers a range of data synthesis improvements, from focused data retrieval and data integration, to intelligent human-computer interactions for knowledge access, to semantic data enrichment, to entity and relationship discovery, to knowledge discovery and hypothesis generation.  

Lorcan Dempsey points us to an important draft report from the
Library of Congress Working Group on the Future of Bibliographic Control that emphasizes the crucial need to enable smart connections between currently separate silos of cataloging. Here's the heart of the project:

Different communities of bibliographic practice have grown up around different resource types: library collections of books and journals, archives, journal articles, and museum objects and images. As these resources and others become increasingly accessible through the Web, separation of the communities of practice that manage them is no longer desirable, sustainable, or functional. Bibliographic control is increasingly a matter of managing relationships—among works, names, concepts, and object descriptions—across communities. Consistency of description within any single environment, such as the library catalog, is becoming less significant than the ability to make connections between environments: Amazon to WorldCat to Google to PubMed to Wikipedia, with library holdings serving as but one node in this web of connectivity. In today's environment, bibliographic control cannot continue to be seen as limited to library catalogs. [Report on the Future of Bibliographic Control PDF]

After a long build-up, Google has finally released OpenSocial. Unfortunately, it seems that the name is a bit misleading. Many people, myself included, had assumed OpenSocial would provide a way of communicating between the various social networking sites such as Facebook and MySpace.

These social networking sites have always been exceptions to the general rule of openness in web 2.0 sites. You cannot, for example, create an rss feed that shows all of your friends in Facebook, Bebo, and MySpace along with their recent updates. However, it would be quite easy to compile this same feed using accounts of your friends on LiveJournal and Blogger.

It's rare as an educational technologist that you find a cutting edge technology whose use is immediately obvious to faculty.  Google Sky is the exception. Astronomers will need little convincing after seeing the latest version of Google Earth in action.

 http://earth.google.com/sky/skyedu.html
 

Most literary scholars know about the fabulous online editions of Blake, Rossetti, and Whitman, but in my experience many people who use these editions regularly don't yet know about Collex, "an open-source collections- and exhibits-builder designed to aid humanities scholars working in digital collections or within federated research environments like NINES." NINES is an acronym for Networked Infrastructure for Nineteenth-century Electronic Scholarship; it links together many important 19thC digital editions.

Rome Reborn 1.0 resides at the crossroads of history, archeology, technology and imagination. You can visit the project's website or read a short report on its unveiling from CNET News.com where you will learn that the simulation "shows almost the entire city within the 13-mile-long Aurelian Walls in 320 A.D., when Rome was the multicultural capital of the Western world." One of the more provocative tidbits from the project site is the fact that the creators are hoping to incorporate the work of other scholars who would "contribute their work as bricks in the larger edifice." If that dream of collaboration is realized, the virtual city would double as a spatialization of particular scholarly projects and as a metaphor for the scholarly endeavor at large. At the same time, as you view the video clips on the project site, you may be reminded of Second Life and find yourself wishing to move about in Rome Reborn as a toga-clad avatar. The pedagogical (and other) possibilities are staggering.

As a companion piece to a hands-on campus technology expo, a group of us at Wesleyan recently put together a round-up of various Web 2.0 technologies including overviews, practical academic applications, references to live examples, and a few tips on how to get started. You will find our "Web 2.Xpo" blog at http://web20.blogs.wesleyan.edu/. Even if you are already acquainted with most of the content, and even if some of it is tailored to the Wesleyan environment, it might prove useful as a place to direct the uninitiated. And you can leave comments.

A number of tech news sites last week had articles about a new software created by Toronto's Sheridan College Institute of Technology and Advanced Learning that translates network and server activity into music. Changes in the music can be interpreted to detect problems in the system.

A visit to the www.soundtomind.com website gives some interesting background on the academic origins of this project:

"iSIC (information muSIC) is an alternative approach to remotely monitoring complex systems like communications networks. It presents information in a synergized acoustical format that provides a holistic and uninterrupted audio model of the system under observation. iSIC is meant to complement, not replace traditional visually based systems. iSIC falls under the broader category of the field of sonification. The purpose of any sonification is to allow users to identify patterns in data through sound.

The iSIC project is the culmination of several years of R&D by a group of students, graduates and faculty at the Sheridan Institute of Technology in Oakville, Ontario. iSIC is a completely unique work of intellectual property producing sound which is rich in information and is ergonomically designed for sustained operation. 

The Humanist List calls attention to the new edition of a Scandinavian journal, Human IT, which includes some work in English, notably an essay by Daniel Paul O'Donnell. O'Donnell discusses his editing of the Old English poem Caedmon's Hymn  based on "SGML-encoded diplomatic transcriptions of all twenty-one known witnesses to the poem." O'Donnell attempted to create a filter that allowed readers to choose different features and versions of the text. But in this essay, O'Donnell rethinks the need for the human editor and discusses "a system in which the computer would generate, but a human edit, the final display texts presented to the reader."

O'Donnell moves toward  the somewhat obvious point that "technical advances of the last eight years have greatly improved our ability to extract and manipulate textual data--and our ability to build editions in ways simply impossible in print." But he finds particular significance in meeting his original two goals: "a method for avoiding reinputting primary source documents" and "a description of the locus of editorial activity." O'Donnell concludes with an intriguing note for producers and consumers of digital tets: "in an increasingly collaborative and interactive scholarly world, it appears that the ghost in the machine may reside in the stylesheet."

Listserv for library and information technology professionals to exchange information about imaging standards, equipment and projects. Active since 1994.