DAVID GREEN
Digital Image Interview Series: Hank Glassman
Hank Glassman, Assistant Professor, East Asian Studies, Haverford College
Hank Glassman teaches Buddhism, Religion and Gender, East Asian Religions, Japanese Literature, Language, and History. Images have become increasingly important in his teaching on Japanese language, history, and culture and in his research on Japanese religions in the medieval period. He constantly struggles with how best to display images in his classes and how to help students engage them as texts.
Academic Commons: Tell me a little about your ambitions for using digital images and what the transition has been like.
Glassman: First, I've been at Haverford for six years and I have to say that for three of those years it was very much a struggle to bring digital images into the classroom. I was very dissatisfied with the options-software, hardware, and support; it was very difficult to get material scanned at the resolutions I requested and there was a real absence of a support system or of specialists able to manage digital images. But then everything changed and now I cannot complain. First we had MDID and now we're moving to ARTstor and we have a terrific level of support. I'm very pleased by the direction everything is going.
Art History and Its Publications in the Electronic Age
The study, "Art History and Its Publications in the Electronic Age,†was nicely discussed by Jennifer Howard in her article in the Chronicle of Higher Educationthis summer: "Picture Imperfect,†(August 4, 2006) http://chronicle.com/free/v52/i48/48a01201.htm.
TODAY - U.S. Fair Use Lecture
Thursday Sept 21, 2006.
6pm American University Washington College of Law's
Program on Information Justice and Intellectual Property
Presents
The Second Annual Finnegan, Henderson, Farabow, Garrett & Dunner, LLP Distinguished Lecture on Intellectual Property
The Honorable Alex Kozinski Judge, US Court of Appeals for the Ninth Circuit
"Fair Use Revisitedâ€
September 21, 2006
Reception ~ 5:00 PM | Lecture ~ 6:00 PM
Washington College of Law, 4801 Mass Ave NW | Room 603
REGISTRATION
Email: iplecture@wcl.american.edu
Phone: 202-274-4148
www.wcl.american.edu/pijip/Kozinski.cfm
WEBCAST
We will be providing a streaming and on demand webcast of the lecture for those who are unable to make it to Washington. The webcast will be available at www.wcl.american.edu/pijip/webcast.cfm.
British Report: Copyright Hindering Scholarship in the Social Sciences and Humanities
COPYRIGHT HINDERING SCHOLARSHIP IN THE HUMANITIES AND SOCIAL SCIENCES
Date: 18 September 2006
"A report from the British Academy, launched on 18 September, expresses fears that the copyright system may in important respects be impeding, rather than stimulating, the production of new ideas and new scholarship in the humanities and social sciences....â€
See http://www.britac.ac.uk/news/release.asp?NewsID=219
Digital Image Interview Series: Ann Burke
Ann C. Burke, Associate Professor of Biology, Wesleyan University
Ann Burke teaches evolutionary and developmental biology at Wesleyan University. Her image-intensive classes now also use animations and she looks forward to using 3-D images in the near-future. In 2005, she developed, with the Wesleyan University Learning Object Studio, an animation of the Body Wall Formation of the Chick Embryo, which has provided a useful link between her teaching and research.
Academic Commons: What would you say the chief impact has been in using digital images?
Burke: Because what I teach (anatomy, embryology, evolution) is extremely visual, I have always used a lot of images. Searching for images on the web, mostly using Google Images, really has changed things for me. Things that I wouldn't have done before because it was too much work, like digging out the exact picture I thought I wanted from the library but then might not use, is now no problem. Literally you can sit and Google just about anything you want and come up with an image and import it into PowerPoint and that's a tremendous boon. I used to have big books of slides accumulated at great expense of time and money and now they're in the closet. So I don't know whether it fundamentally changes anything, but it just makes it much easier, so I can do more.
Using Digital Images in Teaching and Learning: Perspectives from Liberal Arts Institutions
Digital Image Interview Series: Robert Nelson
Robert Nelson, Robert Lehman Professor, History of Art, Yale University
Robert Nelson studies and teaches medieval art at Yale University. He came to Yale in 2005, after a long and distinguished career at the University of Chicago. It was there that he started teaching with digital images, and he has not looked back. He is co-curator of the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on display at the Getty Museum through March 4, 2007.
Academic Commons: Let's start by asking about your own engagement with digital images.
Nelson: I'm very interested in this because I've written about the history of the slide lecture and so I'm actually quite interested in this transition.[1] The coming of slides transformed art history and I believe this will make not the same transition, the same revolution, but it's definitely going to make a big change.
Art history is frozen in a certain technological state. There was once a time when art history and film were basically the same medium but art history is frozen in late-19th-century technology that has survived into the early 21st century. Whereas film went on to many other things - there were talking pictures, there were DVDs and many more manifestations, and now art history will move into that larger realm.
So how is it changing what you're doing in the classroom ?
Well it's changing many things. But first I'd like to say why I've made the switch. I told people when I first arrived here [2005] I'm not going to show a slide at Yale University. Come hell or high water, no matter what happens, I'm not going to show a slide at Yale University! So, I've completely made the switch. And the reason is that students learn much better. That is the most important reason.
Emerging Libraries Conference: March 5-7, 2007
De Lange Conference on Emerging Libraries March 5-7, 2007 Rice University, Houston, Texas
http://delange.rice.edu/conferenceVI.cfm
Mellon Foundation Closes Research in Information Technology Grant Program
Potential New Image Searcher
New VRA White Paper: Advocating for Visual Resources Management in Educational and Cultural Institutions
The Visual Resources Association (VRA) has just released a White Paper on the management and use of image resources: Advocating for Visual Resources Management in Educational and Cultural Institutions.
The paper encourages "holistic thinking" about meeting institutional and individual image user needs in educational/cultural institutions. It identifies six strategic areas for future planning: multiple image sources; integrating personal and institutional collections; social computing and collaborative projects; life-cycle continuum of image assets and their description; rights and copyright compliance; and visual literacy.
GIS in the Humanities: A questionnaire and free workshop on Spatial Literacy in Research and Teaching
Springer Launches Innovative Publisher-Based Image Collection
Tech Review: A Better Way to Rank Expertise Online
Digital Humanities Manifesto 2.0
"Digital humanities is not a unified field but an array of convergent practices that explore a universe in which print is no longer the exclusive or the normative medium in which knowledge is produced and/or disseminated."
Thus begins the Digital Humanities Manifesto a document originally authored by Todd Presner (UCLA) and Jeffrey Schnapp (Stanford), for the Mellon Seminars in Digital Humanities.
MacArthur Foundation Commits $50 Million to Digital Media and Education
A white paper by MIT's Henry Jenkins is also released today to mark this announcement.
"Who Owns This Image?" Public Presentation and Debate: NYC Tues April 29, 6:30pm
Who Owns This Image?
Art, Access, and the Public Domain after Bridgeman v. Corel
Public Panel Discussion Cosponsored by: Art Law Committee, New York City Bar Association, College Art Association, ARTstor Creative Commons
Panelists: Dr. Theodore Feder, President, Art Resource, Artists Rights Society Christopher Lyon, Executive Editor, Prestel Publishing William Patry, Senior Copyright Counsel, Google Hon. Richard A. Posner, United States Court of Appeals, 7th Circuit Maureen Whalen, Associate General Counsel, J. Paul Getty Trust Moderator: Virginia Rutledge, Chair, Art Law Committee, New York City Bar
Conference: Designs on eLearning, London, UK, (Sept 14-16)
Visual Resources Association
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Visual Resources: An International Journal of Documentation
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- Visit http://www.tandf.co.uk/journals/titles/01973762.asp
Conference: Small Tools/Big Ideas (technology and art history), October 7, 2005
Ideas Please for the Obama CTO
MLA report highlights need for "more capacious conception of scholarship"
There, Lancashire discovered that 40.8% of doctoral institutions "have no experience in evaluating e-articles, and 65.7% have no experience in evaluating e-monographs."
One of the recommendations of the report that Lancashire highlights is a "more capacious conception of scholarship." The report further urges institutions to recognize the "legitimacy of scholarship produced in new media."
Boucher-Dolittle "Digital Fair Use" Act Introduced to House
Certainly a good move, supported by the library associations as well as by the Consumer Electronics Association, the new act principally codifies recent exemptions granted to the currently hard-edged Digital Millenium Copyright Act (DMCA), but stops short in offering "clear protection for making personal use copies of encrypted materials."
See http://arstechnica.com/news.ars/post/20070227-8934.html
Flickrology
HCIL Symposium May 31, University of Maryland
The 24th annual symposium of the always-compelling Human Computer Interaction Lab at the University of Maryland is this Thursday May 31. An interesting program, though it seems no webcast will be available.
6,000 Smithsonian Images Available on Flickr
As part of its mission to advocate for posting more government information online, Public.Resource.Org (http://public.resource.org/) is challenging the copyrights asserted on images held and sold by the Smithsonian Institution.
Instead
of suing the Smithsonian, the group has downloaded over 6,000 images
from the Smithsonian's intricate website and has posted them on Flickr
at http://www.flickr.com/photos/publicresourceorg/, claiming that most are public domain images.
Bowdoin one of 16 schools selected for iTunes U launch
See Bowdoin's announcement at http://www.bowdoin.edu/news/archives/1bowdoincampus/004167.shtml
A full list of schools included in the launch: Arizona State University, Bowdoin College, Concordia Seminary, Duke University, Michigan Tech University, MIT, NJIT, Otis College of Art and Design, Pennsylvania State University, Queen's University, Seattle Pacific University, Stanford University, Texas A&M, University of California Berkeley, University of Maryland Baltimore County and University of South Florida.
Collaborative Tools: Not Quite Ready for Prime Time
Cyberinfrastructure on Campus: Aug 2 Educause Live Event
The latest Educause Live event, planned for Thursday August 2, is a talk by UC Davis CIO Peter Siegel on Cyberinfrastructure: A Campus Perspective on What It Is and Why You Should Care.
CI, as it is known, is gathering quite a head of steam since the NSF published its first report in 2003. Since then 27 related reports have been released by others on CI and its impacts on different disciplines, including NSF's own succinct and polished Cyberinfrastructure Vision for 21st Century Discovery.
And stay tuned: Academic Commons will be presenting a special issue on Cyberinfrastructure and the Liberal Arts this fall.
Profiles of Key Cyberinfrastructure Organizations
Museums, Cataloging & Content Infrastructure: An Interview with Kenneth Hamma
Cyberinfrastructure: Leveraging Change at our Institutions. An interview with James J. O'Donnell
Academic Commons Table of Contents: December 2007
A Special Issue, edited by David L. Green
We dedicate this issue to the memory of Roy Rosenzweig (1950-2007), an extraordinary historian who inspired a generation of fellow historians and others working at the intersection of the humanities and new technologies.
INTRODUCTION
A
Cyberinfrastructure for Us All
By David L. Green,
Knowledge Culture
Made
possible by dramatic advances in networking technologies,
cyberinfrastructure promises to combine new computing capabilities,
massive data resources and distributed human expertise to enable
qualitatively different creative product from new generations of
"knowledge environments." Introducing this timely collection of
observations on how this will affect liberal arts disciplines and
institutions, David Green reviews the distance we've come in the last
15 years and identifies the main themes of the essays, interviews and
reviews that follow.
The Andrew W. Mellon Foundation
A discussion of cyberinfrastructure would be incomplete without noting the Mellon Foundation; their grants have made possible many of the advances covered within Academic Commons.
From their website:
"The Andrew W. Mellon Foundation currently makes grants in six core program areas: Higher Education and Scholarship; Scholarly Communications; Research in Information Technology; Museums and Art Conservation; Performing Arts; Conservation and the Environment.""Within each of its core programs, the Foundation concentrates most of its grantmaking in a few areas. Institutions and programs receiving support are often leaders in fields of Foundation activity, but they may also be promising newcomers, or in a position to demonstrate new ways of overcoming obstacles to achieve program goals."
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Cyberinfrastructure For Us All: An Introduction to Cyberinfrastructure and the Liberal Arts
Made possible by dramatic advances in networking technologies, cyberinfrastructure promises to combine new computing capabilities, massive data resources and distributed human expertise to enable qualitatively different creative product from new generations of "knowledge environments." Introducing this timely collection of observations on how this will affect liberal arts disciplines and institutions, David Green reviews the distance we've come in the last 15 years and identifies the main themes of the essays, interviews and reviews that follow.
Open Source Software Tools: Mellon Awards for Technology Collaboration
Tim Berners-Lee presented the second annual Mellon Awards for Technology Collaboration (MATC) yesterday at the Fall Task Force meeting of the Coalition for Networked Information (CNI). $650,000 in prize money went to 10 nonprofits for "leadership in the collaborative development of open source software tools with application to scholarship in the arts and humanities."
While more information is available on the CNI site, the winners are as follows:
- American Museum of the Moving Image (Astoria, NY: www.movingimage.us) for the development and release of the OpenCollection museum collection management system (www.opencollection.org) [$100,000].
- Duke University (Durham, NC: www.duke.edu) for leadership and development work on the OpenCroquet open source 3-D virtual worlds environment (www.opencroquet.org)[$100,000].
- Open Polytechnic of New Zealand (Wellington, NZ: www.openpolytechnic.ac.nz) for leadership and development work on several open source projects including the New Zealand Open Source Virtual Learning Environment (http://eduforge.org/projects/nzvle/) [$100,000].
- Georgia Public Library Service of the University System of Georgia (Atlanta, GA: www.georgialibraries.org) for the development and release of the Evergreen open-source library automation system (www.open-ils.org) [$50,000].
- Middlebury College (Middlebury, VT: www.middlebury.edu) for the development and release of the Segue interactive learning management system [$50,000].
- Participatory Culture Foundation (Worcester, MA: www.participatoryculture.org) for the development and release of the open source Miro media player (www.getmiro.com) [$50,000].
- Talboks-och Punkstkriftsbiblioteket (The Swedish Library of Talking Books and Braille: Enskede, Sweden: www.tpb.se) for the development and release of open source tools supporting the Daisy Project for talking books for the visually impaired [$50,000].
- University of Illinois (Champaign-Urbana, IL: www.illinois.edu): one award for the development and release of the Firefox Accessibility Extension (https://addons.mozilla.org/en-US/firefox/addon/1891) [$50,000]; and one award for the development and release of the OpenEAI enterprise application integration project (www.openEAI.org) [$50,000].
- University of Toronto (Toronto, Ontario: www.utoronto.ca) for the development and release of the ATutor learning management system (www.atutor.ca) [$50,000].
LC Draft Report on the Future of Bibliographic Control
Library of Congress Working Group on the Future of Bibliographic Control that emphasizes the crucial need to enable smart connections between currently separate silos of cataloging. Here's the heart of the project:
Different communities of bibliographic practice have grown up around different resource types: library collections of books and journals, archives, journal articles, and museum objects and images. As these resources and others become increasingly accessible through the Web, separation of the communities of practice that manage them is no longer desirable, sustainable, or functional. Bibliographic control is increasingly a matter of managing relationships—among works, names, concepts, and object descriptions—across communities. Consistency of description within any single environment, such as the library catalog, is becoming less significant than the ability to make connections between environments: Amazon to WorldCat to Google to PubMed to Wikipedia, with library holdings serving as but one node in this web of connectivity. In today's environment, bibliographic control cannot continue to be seen as limited to library catalogs. [Report on the Future of Bibliographic Control PDF]
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