DAVID GREEN

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Digital Image Interview Series: Hank Glassman

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Digital Image Interview Series
Hank Glassman
, Assistant Professor, East Asian Studies, Haverford College

Hank Glassman teaches Buddhism, Religion and Gender, East Asian Religions, Japanese Literature, Language, and History. Images have become increasingly important in his teaching on Japanese language, history, and culture and in his research on Japanese religions in the medieval period. He constantly struggles with how best to display images in his classes and how to help students engage them as texts.
 


Academic Commons: Tell me a little about your ambitions for using digital images and what the transition has been like.
Glassman: First, I've been at Haverford for six years and I have to say that for three of those years it was very much a struggle to bring digital images into the classroom. I was very dissatisfied with the options-software, hardware, and support; it was very difficult to get material scanned at the resolutions I requested and there was a real absence of a support system or of specialists able to manage digital images. But then everything changed and now I cannot complain. First we had MDID and now we're moving to ARTstor and we have a terrific level of support. I'm very pleased by the direction everything is going.

Art History and Its Publications in the Electronic Age

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An interesting study by two art historians (Hilary Ballon at Columbia and Mariet Westermann at NYU) examining the obstacles to successful electronic publication of art history has now been made available as a course on Rice University's CONNEXIONS website: http://cnx.org/content/col10376/latest/.

The study, "Art History and Its Publications in the Electronic Age,” was nicely discussed by Jennifer Howard in her article in the Chronicle of Higher Educationthis summer: "Picture Imperfect,” (August 4, 2006) http://chronicle.com/free/v52/i48/48a01201.htm.

TODAY - U.S. Fair Use Lecture

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A promising lecture on Fair Use is being webcast from Washington College of Law. All reports are that Judge Kozinski should not be missed.

Thursday Sept 21, 2006.
6pm American University Washington College of Law's
Program on Information Justice and Intellectual Property
Presents
The Second Annual Finnegan, Henderson, Farabow, Garrett & Dunner, LLP Distinguished Lecture on Intellectual Property
The Honorable Alex Kozinski Judge, US Court of Appeals for the Ninth Circuit

"Fair Use Revisited”
September 21, 2006
Reception ~ 5:00 PM | Lecture ~ 6:00 PM
Washington College of Law, 4801 Mass Ave NW | Room 603

REGISTRATION
Email: iplecture@wcl.american.edu
Phone: 202-274-4148
www.wcl.american.edu/pijip/Kozinski.cfm

WEBCAST
We will be providing a streaming and on demand webcast of the lecture for those who are unable to make it to Washington. The webcast will be available at www.wcl.american.edu/pijip/webcast.cfm.

British Report: Copyright Hindering Scholarship in the Social Sciences and Humanities

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Here, courtesy of CNI, is the announcement of a report from the British Academy on the impact of copyright issues on the current state of humanities and social science:

COPYRIGHT HINDERING SCHOLARSHIP IN THE HUMANITIES AND SOCIAL SCIENCES
Date: 18 September 2006

"A report from the British Academy, launched on 18 September, expresses fears that the copyright system may in important respects be impeding, rather than stimulating, the production of new ideas and new scholarship in the humanities and social sciences....”
See http://www.britac.ac.uk/news/release.asp?NewsID=219

Digital Image Interview Series: Ann Burke

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Digital Image Interview Series (November 2006)
Ann C. Burke, Associate Professor of Biology, Wesleyan University

Ann Burke teaches evolutionary and developmental biology at Wesleyan University. Her image-intensive classes now also use animations and she looks forward to using 3-D images in the near-future. In 2005, she developed, with the Wesleyan University Learning Object Studio, an animation of the Body Wall Formation of the Chick Embryo, which has provided a useful link between her teaching and research.

Academic Commons: What would you say the chief impact has been in using digital images?
Burke: Because what I teach (anatomy, embryology, evolution) is extremely visual, I have always used a lot of images. Searching for images on the web, mostly using Google Images, really has changed things for me. Things that I wouldn't have done before because it was too much work, like digging out the exact picture I thought I wanted from the library but then might not use, is now no problem. Literally you can sit and Google just about anything you want and come up with an image and import it into PowerPoint and that's a tremendous boon. I used to have big books of slides accumulated at great expense of time and money and now they're in the closet. So I don't know whether it fundamentally changes anything, but it just makes it much easier, so I can do more.

Using Digital Images in Teaching and Learning: Perspectives from Liberal Arts Institutions

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David Green's study focuses on the pedagogical implications of the widespread use of the digital format for images. While the core of the study involved changes in the teaching-learning dynamic and the teacher-student relationship, related issues concerning supply, support and infrastructure rapidly became part of its fabric. In addition to the report, the site contains a set of one-on one-interviews with faculty on how digital changes everything.

Digital Image Interview Series: Robert Nelson

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Digital Image Interview Series November, 2006
Robert Nelson, Robert Lehman Professor, History of Art, Yale University

Robert Nelson studies and teaches medieval art at Yale University. He came to Yale in 2005, after a long and distinguished career at the University of Chicago. It was there that he started teaching with digital images, and he has not looked back. He is co-curator of the exhibition Holy Image, Hallowed Ground: Icons from Sinai, on display at the Getty Museum through March 4, 2007.


Academic Commons: Let's start by asking about your own engagement with digital images.
Nelson: I'm very interested in this because I've written about the history of the slide lecture and so I'm actually quite interested in this transition.[1] The coming of slides transformed art history and I believe this will make not the same transition, the same revolution, but it's definitely going to make a big change.

Art history is frozen in a certain technological state. There was once a time when art history and film were basically the same medium but art history is frozen in late-19th-century technology that has survived into the early 21st century. Whereas film went on to many other things - there were talking pictures, there were DVDs and many more manifestations, and now art history will move into that larger realm.

So how is it changing what you're doing in the classroom ?
Well it's changing many things. But first I'd like to say why I've made the switch. I told people when I first arrived here [2005] I'm not going to show a slide at Yale University. Come hell or high water, no matter what happens, I'm not going to show a slide at Yale University! So, I've completely made the switch. And the reason is that students learn much better. That is the most important reason.

Emerging Libraries Conference: March 5-7, 2007

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There's a terrific line-up of those thinking about the future of libraries at a subsidized conference at Rice University next March. For just $35 you can hear John Seely Brown, Brewster Kahle, Dan Atkins, Bill Wulf, Harold Varmus, Neal Lane, Paul Ginsparg and others lead thinking about how libraries may be evolving in the future.

De Lange Conference on Emerging Libraries March 5-7, 2007 Rice University, Houston, Texas

http://delange.rice.edu/conferenceVI.cfm

Potential New Image Searcher

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New VRA White Paper: Advocating for Visual Resources Management in Educational and Cultural Institutions

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The Visual Resources Association (VRA) has just released a White Paper on the management and use of image resources: Advocating for Visual Resources Management in Educational and Cultural Institutions.

The paper encourages "holistic thinking" about meeting institutional and individual image user needs in educational/cultural institutions. It identifies six strategic areas for future planning: multiple image sources; integrating personal and institutional collections; social computing and collaborative projects; life-cycle continuum of image assets and their description; rights and copyright compliance; and visual literacy.

GIS in the Humanities: A questionnaire and free workshop on Spatial Literacy in Research and Teaching

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 In preparation for a free Dec 16th workshop on Spatial Literacy in Research and Teaching to be held in the UK, the University of Leicester has a brief survey it is asking the GIS constituency to complete at http://www.hgis.org.uk/splint/. For more info on the workshop, see http://www2.warwick.ac.uk/fac/cross_fac/heahistory/events/gis_workshop/gis

Springer Launches Innovative Publisher-Based Image Collection

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Springer Science+Business Media (www.springer.com), an international scholarly publisher based in Germany but operating in 20 countries, has launched SpringerImageshttp://www.springerimages.com/ .

Tech Review: A Better Way to Rank Expertise Online

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Brittany Sauser in Technology Review  reports on a new algorithm developed to help social media users better determine the trustworthiness of posters.

Digital Humanities Manifesto 2.0

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"Digital humanities is not a unified field but an array of convergent practices that explore a universe in which print is no longer the exclusive or the normative medium in which knowledge is produced and/or disseminated."

Thus begins the Digital Humanities Manifesto a document originally authored by Todd Presner (UCLA) and Jeffrey Schnapp (Stanford), for the Mellon Seminars in Digital Humanities.

MacArthur Foundation Commits $50 Million to Digital Media and Education

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Building on its substantial work in this arena already the MacArthur Foundation has just announced a five-year program to fund "research and innovative projects focused on understanding the impact of the widespread use of digital media on our youth and how they learn.” Although geared toward the 8-18-year-old population, the project could have implications for college media education.

A white paper by MIT's Henry Jenkins is also released today to mark this announcement.

"Who Owns This Image?" Public Presentation and Debate: NYC Tues April 29, 6:30pm

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Who Owns This Image?

Art, Access, and the Public Domain after Bridgeman v. Corel

Public Panel Discussion Cosponsored by: Art Law Committee, New York City Bar Association, College Art Association, ARTstor Creative Commons

Panelists: Dr. Theodore Feder, President, Art Resource, Artists Rights Society Christopher Lyon, Executive Editor, Prestel Publishing William Patry, Senior Copyright Counsel, Google Hon. Richard A. Posner, United States Court of Appeals, 7th Circuit Maureen Whalen, Associate General Counsel, J. Paul Getty Trust Moderator: Virginia Rutledge, Chair, Art Law Committee, New York City Bar

Conference: Designs on eLearning, London, UK, (Sept 14-16)

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University of the Arts, London, UK, presents Designs on eLearning , September 14th 2005 - September 16th 2005. Designs on eLearning, the inaugural international conference in the use of technology for teaching and learning in Art, Design and Communication will be held at the University of the Arts, London between 14 and 16 September 2005. The conference aims to cast light on established practice in the field, on innovations in teaching and learning with technology, on the challenges and successes presented by the visual nature of our discipline, and on the benefits of online and blended learning.

Conference: Small Tools/Big Ideas (technology and art history), October 7, 2005

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Small Tools/Big Ideas (October 7, 2005) is a conference on the discipline-specific technologies reshaping the practice of teaching art and art history, to be held at The Fashion Institute of Technology, W 27th Street, between 7th and 8th Avenues, New York. More information at http://www3.fitnyc.edu/bigideas

Ideas Please for the Obama CTO

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Vote, vote, vote - for ideas, now that we have a President Elect...and a soon-to-be-announced CTO for the nation.

MLA report highlights need for "more capacious conception of scholarship"

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In February 28's Humanist, Ian Lancashire reports his amazed discovery of the figures on the capacity of doctoral institutions to assess e-articles and e-monographs as reported in the Dec 2006 Modern Language Association's Report on Tenure and Promotion (executive summary at http://www.mla.org/pdf/tenure_summary.pdf).

There, Lancashire discovered that 40.8% of doctoral institutions "have no experience in evaluating e-articles, and 65.7% have no experience in evaluating e-monographs."

One of the recommendations of the report that Lancashire highlights is a "more capacious conception of scholarship." The report further urges institutions to recognize the "legitimacy of scholarship produced in new media."

Boucher-Dolittle "Digital Fair Use" Act Introduced to House

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Ars Technica calls Representative Rick Boucher's (D-VA) new "Fair Use" Act a watered-down version of his 2003 DMCRA (see http://www.publicknowledge.org/issues/hr1201) that failed due to considerable industry opposition.

Certainly a good move, supported by the library associations as well as by the Consumer Electronics Association, the new act principally codifies recent exemptions granted to the currently hard-edged Digital Millenium Copyright Act (DMCA), but stops short in offering "clear protection for making personal use copies of encrypted materials."

See http://arstechnica.com/news.ars/post/20070227-8934.html

Flickrology

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With over 1 billion photos in play and an estimated 11,000 images served per second on a busy day, Flickr is an increasingly important image resource. There's been a recent flurry of discussion on some lists and blogs about using Flickr to share images within institutions or nonprofit groups.

HCIL Symposium May 31, University of Maryland

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The 24th annual symposium of the always-compelling Human Computer Interaction Lab at the University of Maryland is this Thursday May 31. An interesting program, though it seems no webcast will be available.

 http://www.cs.umd.edu/hcil/soh/symposium.shtml

6,000 Smithsonian Images Available on Flickr

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As part of its mission to advocate for posting more government information online, Public.Resource.Org (http://public.resource.org/) is challenging the copyrights asserted on images held and sold by the Smithsonian Institution.

Instead of suing the Smithsonian, the group has downloaded over 6,000 images from the Smithsonian's intricate website and has posted them on Flickr at http://www.flickr.com/photos/publicresourceorg/, claiming that most are public domain images.

        

Left: Clark, Gruber & Co., Denver, 20 Dollar Coin, 1860. Tom Mulvaney (Smithsonian Institution). Right: Cone Headed Grasshopper (Acrididae) from the Insect Zoo at the Smithsonian's National Museum of Natural History. Chip Clark (Smithsonian Institution)

Bowdoin one of 16 schools selected for iTunes U launch

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iTunes U was launched May 30 with free downloadable audio and video from a selection of universities and one undergraduate institution - Bowdoin College. Available on the iTunes site are lectures, language lessons, sports highlights, campus tours and interviews. The Bowdoin material includes guided audio-video tours through the Peary-MacMillan Arctic Museum; material from several courses; a video of Bowdoin's world-competitive team of soccer-playing robot dogs; and public talks by visiting speakers such as Robert Reich, Doris Kearns Goodwin and Tracy Kidder.

See Bowdoin's announcement at http://www.bowdoin.edu/news/archives/1bowdoincampus/004167.shtml

A full list of schools included in the launch: Arizona State University, Bowdoin College, Concordia Seminary, Duke University, Michigan Tech University, MIT, NJIT, Otis College of Art and Design, Pennsylvania State University, Queen's University, Seattle Pacific University, Stanford University, Texas A&M, University of California Berkeley, University of Maryland Baltimore County and University of South Florida.

Collaborative Tools: Not Quite Ready for Prime Time

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Collaborative web-based tools are gathering sophistication and traction. Digital Library Federation Director Peter Brantley points out  that while Trinity College, Dublin, has adopted Gmail whole hog, the University of California at Berkeley, in a detailed report on Web tool offerings by Google and Microsoft, finds that they are generally not quite ready for adoption. The report suggests though that as the software improves, and as legal and privacy issues are seriously addressed, it won't be long before many more individuals and institutions will be collaborating using these online tools.

Cyberinfrastructure on Campus: Aug 2 Educause Live Event

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The latest Educause Live event, planned for Thursday August 2, is a talk by UC Davis CIO Peter Siegel on Cyberinfrastructure: A Campus Perspective on What It Is and Why You Should Care.

CI, as it is known, is gathering quite a head of steam since the NSF published its first report in 2003. Since then 27 related reports have been released by others on CI and its impacts on different disciplines, including NSF's own succinct and polished Cyberinfrastructure Vision for 21st Century Discovery.

And stay tuned: Academic Commons will be presenting a special issue on Cyberinfrastructure and the Liberal Arts this fall.
 

Profiles of Key Cyberinfrastructure Organizations

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We present here a collection of short profiles, specially written for Academic Commons, on key service organizations and networks that will be poised to assist and lead others who are working to bring a rich cyberinfrastructure into play. Some are older humanities organizations for which cyberinfrastructure is a totally new environment, others have been created specifically around the provision of digital resources and support.

Museums, Cataloging & Content Infrastructure: An Interview with Kenneth Hamma

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The architect of digital policy at the Getty Trust shares his conviction that building the digital "content infrastructure" depends on the contributions of thousands of smaller institutions that individually lack human and technological resources necessary for the task. Cyberinfrastructure could facilitate distributed cataloging and much wider distribution of museum holdings that would have a major impact on scholarship and teaching. However, a significant challenge remains that of the muddying of museums’ educational mission with notions of gatekeeping and income generation from the objects in their care.

Cyberinfrastructure: Leveraging Change at our Institutions. An interview with James J. O'Donnell

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Provost O'Donnell, author of Avatars of the Word, is fascinated by how "institutions full of creative, innovative, iconoclastic people" are paradoxically "bastions of conservatism." Guiding us through the texture of change since the Internet hit 15 years ago, O"Donnell posits that incremental change is perhaps the best we can do until the fundamental instruments of scholarly communication and the academic reward structure change: "until the problem we have to solve is defined persuasively enough that we get enough people interested in solving it."

Academic Commons Table of Contents: December 2007

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Cyberinfrastructure and the Liberal Arts

A Special Issue, edited by David L. Green

We dedicate this issue to the memory of Roy Rosenzweig (1950-2007), an extraordinary historian who inspired a generation of fellow historians and others working at the intersection of the humanities and new technologies. 


INTRODUCTION
A Cyberinfrastructure for Us All

By David L. Green, Knowledge Culture
Made possible by dramatic advances in networking technologies, cyberinfrastructure promises to combine new computing capabilities, massive data resources and distributed human expertise to enable qualitatively different creative product from new generations of "knowledge environments." Introducing this timely collection of observations on how this will affect liberal arts disciplines and institutions, David Green reviews the distance we've come in the last 15 years and identifies the main themes of the essays, interviews and reviews that follow.

Cyberinfrastructure For Us All: An Introduction to Cyberinfrastructure and the Liberal Arts

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Made possible by dramatic advances in networking technologies, cyberinfrastructure promises to combine new computing capabilities, massive data resources and distributed human expertise to enable qualitatively different creative product from new generations of "knowledge environments." Introducing this timely collection of observations on how this will affect liberal arts disciplines and institutions, David Green reviews the distance we've come in the last 15 years and identifies the main themes of the essays, interviews and reviews that follow.

Open Source Software Tools: Mellon Awards for Technology Collaboration

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Tim Berners-Lee presented the second annual Mellon Awards for Technology Collaboration (MATC) yesterday at the Fall Task Force meeting of the Coalition for Networked Information (CNI). $650,000 in prize money went to 10 nonprofits for "leadership in the collaborative development of open source software tools with application to scholarship in the arts and humanities."

While more information is available on the CNI site, the winners are as follows:

  • American Museum of the Moving Image (Astoria, NY: www.movingimage.us) for the development and release of the OpenCollection museum collection management system (www.opencollection.org) [$100,000].
  • Duke University (Durham, NC: www.duke.edu) for leadership and development work on the OpenCroquet open source 3-D virtual worlds environment (www.opencroquet.org)[$100,000].
  • Open Polytechnic of New Zealand (Wellington, NZ: www.openpolytechnic.ac.nz) for leadership and development work on several open source projects including the New Zealand Open Source Virtual Learning Environment (http://eduforge.org/projects/nzvle/) [$100,000].
  • Georgia Public Library Service of the University System of Georgia (Atlanta, GA: www.georgialibraries.org) for the development and release of the Evergreen open-source library automation system (www.open-ils.org) [$50,000].
  • Middlebury College (Middlebury, VT: www.middlebury.edu) for the development and release of the Segue interactive learning management system [$50,000].
  • Participatory Culture Foundation (Worcester, MA: www.participatoryculture.org) for the development and release of the open source Miro media player (www.getmiro.com) [$50,000].
  • Talboks-och Punkstkriftsbiblioteket (The Swedish Library of Talking Books and Braille: Enskede, Sweden: www.tpb.se) for the development and release of open source tools supporting the Daisy Project for talking books for the visually impaired [$50,000].
  • University of Illinois (Champaign-Urbana, IL: www.illinois.edu): one award for the development and release of the Firefox Accessibility Extension (https://addons.mozilla.org/en-US/firefox/addon/1891) [$50,000]; and one award for the development and release of the OpenEAI enterprise application integration project (www.openEAI.org) [$50,000].
  • University of Toronto (Toronto, Ontario: www.utoronto.ca) for the development and release of the ATutor learning management system (www.atutor.ca) [$50,000].